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The Role of Art in U.S. Immigrant Communities

In collaboration with the Princeton Center for Art and Cultural Policy Studies, the CMD opened the first conference on migration and the arts on June 1-2, 2006.  Paul DiMaggio, research director of the CACPS, Patricia Fernández-Kelly, and Nancy Doolan, assistant director of the CMD, were the organizers. The purpose of the event was to bring together a small number of scholars to better understand how music, dance, drama, and painting facilitate immigrant adaptation and connect immigrant communities to the host society.  Six papers focusing on the art of Cubans, Mexicans, Chinese, Arabs, Haitians, and Vietnamese formed the core for the lively discussion.  As a complement to the workshop an art exhibit was installed in Aaron Burr Hall.  The exhibition, entitled "Angels on the Border: Religious Paintings by Mexican Immigrants" featured sixty retablos from the extraordinary collection owned by Douglas Massey (Princeton University) and Jorge Durand (Universidad de Guadalajara).

The following papers were presented at the conference and are in PDF format.

Number

Title

Author(s)

06-04 A Howl to the Heavens:  Art in the Life of First- and Second-Generation Cuban Americans Patricia Fernandez-Kelly, Princeton University
06-04a Inside and Outside the Box:  The Politics of Arab American Identity and Artistic Representations Amaney Jamal, Princeton University
06-04b Negotiating Memories of War:  Arts in the Vietnamese American Communities Yen Le Espiritu, University of California - San Diego
06-04c Visual Culture and Visual Piety in Little Haiti:  The Sea, the Tree, and the Refugee Terry Rey, Temple University; Alex Stepick, Florida International University
06-04d GenerAsians Learn Chinese:  The Asian American Youth Generation and New Class Formations Deborah Wong, University of California - Riverside
06-04e Visualizing Mexican Migration to the United States Gil Cardenas, University of Notre Dame

 

Department of Sociology

Woodrow Wilson School

Princeton University